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* 4 bios below.

Bio | Tim O'Brien

Born in Wheeling, West Virginia on March 16, 1954, Grammy winning singer songwriter and multi instrumentalist Tim O’Brien grew up singing in church and in school, and after seeing Doc Watson on TV, became a lifelong devotee of old time and bluegrass music. Tim first toured nationally with Colorado bluegrass band Hot Rize, which formed in 1978. Kathy Mattea scored a country hit with his song “Walk The Way The Wind Blows” in 1986, and soon more artists like Nickel Creek and Garth Brooks covered his songs. Over the years, Tim has collaborated with his sister Mollie O’Brien, songwriter Darrell Scott, and noted old time musician Dirk Powell, as well as with Steve Earle, Bill Frisell, Mark Knopfler, Steve Martin, and Sturgill Simpson.

O’Brien says his most recent recording “He Walked On” is about “what you need to do to survive in America”. Covering work, racial issues, and modern technology, its eight originals and five covers offer an expansive portrayal of the nation from its beginnings to the present day, Personnel includes long time band mates Mike Bub (bass), Shad Cobb (fiddle) and Jan Fabricius (mandolin and vocal), along with drummer Pete Abbott, bassist Edgar Meyer, guitarist Bo Ramsey, and gospel singer Odessa Settles.

Other notable O’Brien recordings include the bluegrass Dylan covers of “Red On Blonde”, the Celtic-Appalachian fusion of “The Crossing”, and the Grammy winning folk of “Fiddler’s Green”. His 2017 release “Where the River Meets the Road” paid tribute to the music of his native West Virginia. O’Brien formed his own record label, Howdy Skies Records, in 1999, and launched the digital download label Short Order Sessions (SOS) with his partner Jan Fabricius in 2015.

Bio | Tim O’Brien with Jan Fabricius

Born in Wheeling, West Virginia on March 16, 1954, Grammy winning singer songwriter and multi instrumentalist Tim O’Brien grew up singing in church and in school. Gaining attention in the 1980’s with Colorado’s Hot Rize, O’Brien scored a country hit with Kathy Mattea’s cover of his song Walk The Way The Wind Blows in 1986. Soon artists like Nickel Creek and Garth Brooks also covered his songs. Collaborators include his sister Mollie O’Brien, old time musician Dirk Powell and songwriter Darrell Scott, as well as Steve Earle, Bill Frisell, Mark Knopfler and Sturgill Simpson. O’Brien formed his own record label, Howdy Skies Records, in 1999, and launched the digital download label Short Order Sessions (SOS) with his partner Jan Fabricius in 2015.

O’Brien says his most recent recording “He Walked On” is about “what you need to do to survive in America”. Covering work, racial issues, and modern technology, its eight originals and five covers offer an expansive portrayal of the nation from its beginnings to the present day, Personnel includes long time band mates Mike Bub (bass), Shad Cobb (fiddle) and Jan Fabricius (mandolin and vocal), along with drummer Pete Abbott, bassist Edgar Meyer, guitarist Bo Ramsey, and gospel singer Odessa Settles.

Other notable O’Brien recordings like the bluegrass Dylan covers of “Red On Blonde” and the Celtic-Appalachian fusion of “The Crossing” led to Grammy winning CD’s “Fiddler’s Green” (2005) and “The Earls of Leicester” (2014). 2017’s Where the River Meets the Road paid tribute to the music of his native West Virginia. Tim O’Brien performs in a duet setting with his partner Jan Fabricius on harmony vocals. Featuring his solid guitar, fiddle, and mandolin, the shows cover a range of original compositions and traditional arrangements mixed with stories and Tim’s self-deprecating humor.

Bio | He Walked On

How do we get by in trying times? How do we make sense of the world we live in? Music has always been a balm and a tonic for those who need a little help on their journeys, whether that's needed in the form of inspiration, comfort, or relief. And as veteran multi-instrumentalist and singer Tim O'Brien demonstrates on his latest solo effort, “He Walked On”, it can also provide a handy map for tough roads.

Through its bakers' dozen tunes, eight new originals and five covers, “He Walked On” is an expansive portrayal of the nation from its beginnings to the present day through a series of musical snapshots, each training its lens from a different angle: humor, humanity, solidarity, grace. The Latin-tinged "El Comedor," co-written with O'Brien's fiancée Jan Fabricius, reflects on time the couple spent last year at the Mexican border near Tucson, visiting with a grassroots humanitarian group that offered water and food to hopeful immigrants waiting for asylum. With "We're In The Same Boat, Brother," written by "Brother, Can You Spare A Dime" lyricist Yip Harburg, O'Brien reaches back nearly 80 years for a call to solidarity that still feels timely today. And both the witty shuffle "Nervous" and the more somber "Pushing on Buttons (Staring at Screens)" set us squarely in the present anxious moment, talking technology, communication and connection blues – both tunes made even more relevant by the distanced, doom scrolling experience of the one-two punch 2020 COVID pandemic and election year. The disc image for “ He Walked On” is an American nickel, the slogan E Pluribus Unum – "out of many, one" – prominent on top: these songs, together, make up a picture of who we are.

"The project is about what you need to do to survive in America," O'Brien explained.

Born in Wheeling, West Virginia in 1954, the Grammy-winning singer-songwriter (and West Virginia Music Hall of Famer) absorbed a broad range of American music growing up, from country and rockabilly icons like Jerry Reed and Jerry Lee Lewis backed by local ringers at the famous Grand Ole Opry-style Wheeling Radio Jamboree to Duke Ellington, Count Basie and Dave Brubeck at summer concerts in the park. His parents had season tickets to the Wheeling Symphony and brought along the young O'Brien and his sister Mollie, who would become his first band mate; they also saw Ray Charles and the Beatles when they came through town. O'Brien took it all in, but something clicked when he first caught Doc Watson on TV as a teenager: that versatility, and the distillation of so much into the framework of traditional sounds, would be one of his biggest inspirations. "Doc Watson's a great roadmap for anybody, really, because he played all kinds of music and made it sound like Doc Watson music," said O'Brien. "Of course, people put him in a bluegrass-folk music pigeonhole, but he really brought all of it together, and that's kind of what I was interested in." O'Brien found a simpatico musical community in Boulder, Colorado, where he moved in 1974 and became a leading figure in the world of contemporary or progressive bluegrass – most notably in the quartet Hot Rize, which toured nationally over its 40-year tenure and earned a Grammy nomination for its 1989 album "Take it Home." In the mid-'90s, O'Brien decamped to Nashville, where he became a first-call mandolin, guitar, fiddle and banjo player on Music City sessions, and collaborated with artists like Steve Earle, Sturgill Simpson and Dan Auerbach; Kathy Mattea, Garth Brooks and the Dixie Chicks cut his compositions, and in 2015 he won a Grammy as a member of the bluegrass super group the Earls of Leicester, a nice companion for O'Brien's 2005 Best Traditional Folk Grammy for his album “Fiddler’s Green”.

”He Walked On” comes out June 25 on O'Brien's own label, Howdy Skies, a keen interweaving of commentary on contemporary social justice issues and their echoes in our past. The stark, solemn banjo cut "Five Miles In and One Mile Down," a tune by the Kentucky songsmith Dale Keys, indicts the neglect and greed that led to the Upper Big Branch Mine disaster in 2010, in O'Brien's home state of Virginia, where 29 miners died. It resonates again in the wake of 2020, when so many workers were put squarely in harm's way of a deadly virus in service of someone else's dollar. His cover of "That's How Every Empire Falls," written by R.B. Morris and more famously recorded by John Prine, is a loving tribute to the latter, O'Brien's friend who died of COVID – and also, with its theme of responsibility to our fellow man (like Harburg's "We're In The Same Boat, Brother") another heartfelt comment on these strange and trying times.

Other songs on ”He Walked On” were inspired by our recent explosive national reckoning with racial prejudice and violence, both the ripple effects of harm and the example of those who stood up and fought for equality. The springy album opener, "When You Pray (Move Your Feet)" takes its title from the African proverb that was a favorite of the late Civil Rights hero Congressman John Lewis. The powerfully moving "Can You See Me, Sister?" explores, through an imagined encounter between two of Thomas Jefferson's children with the enslaved woman Sally Hemings, the unquantifiable horror of slavery through intensely human, individual emotional despair and the wedge it drove between two siblings.

"You talk about the music, where would we be in America if we didn't have this mix of people from Africa and Europe and Native Americans," he said. "We're family, but we're estranged, and we've never learned to be family in so many ways. And it's crazy, and we're still suffering from that. If you read James Baldwin – America's insane. And until we figure out how to actually deal with reality here, we're just going to stay insane." "When you sing something, it kind of sneaks in, in that music is a powerful medium," O'Brien said. "It's a language that's mysterious on its own – it tugs on the emotions. It grabs people's attention in a certain way and prepares them to hear things, and music kind of draws people together."

Bio | Jan Fabricius

Jan Fabricius grew up in WaKeeney, Kansas. Her father was a wheat farmer and US Postal worker and her mother was a nurse. Her older sister Diane taught her piano and later mandolin. She played clarinet in her high school band and sang in school and church choirs. Since first attending the Walnut Valley Festival in Winfield KS in 1976, Jan has enjoyed campground jamming at various bluegrass festivals over the years. Her early influences include Nitty Gritty Dirt Band, Hot Rize, New Grass Revival, Guy Clark, Rodney Crowell and Norman Blake. A Registered Nurse, she raised 2 sons and has 3 granddaughters. She started dating Tim O’Brien in 2011 and in 2013 moved to Nashville.

The two played fiddle tunes and bluegrass songs around home, and when Tim made his recording “Pompadour” in 2015, Jan sang background vocals on several songs and was soon singing on stage with Tim. Her vocals and mandolin have since been featured on 2017’s “Where the River Meets the Road”, 2019’s “Tim O’Brien Band”, and 2021’s “He Walked On”.

Tim O’Brien Band

The Tim O’Brien Band is just as versatile as its leader’s music is diverse. With a large repertoire that ranges from traditional bluegrass grooves through contemporary singer songwriter styles, this Nashville based, five-piece acoustic string band makes it all shine. Long time session and touring stalwarts Mike Bub (bass) and Shad Cobb (fiddle) join mandolinist and singer Jan Fabricius and new member Gaven Largent (dobro and banjo) to provide backing to O’Brien’s vocal, guitar and fiddle.

Born in 1954 in Wheeling WV, O’Brien came on the bluegrass scene with Colorado’s Hot Rize starting in 1978. The singer-songwriter and multi-instrumentalist has won Folk and Bluegrass Grammys, and his songs have been covered by New Grass Revival, Kathy Mattea and Garth Brooks. After moving to Nashville in 1996, O’Brien found plenty of work as a studio sideman for folks like Steve Earle, Mark Knopfler and Sturgill Simpson. The International Bluegrass Music Association has twice awarded him with Song of the Year and Male Vocalist of the Year prizes.

Bassist Mike Bub, originally from California, is a bluegrass standby, having toured the world with the Del McCoury Band and others. Fiddler Shad Cobb, from Wisconsin, grew up in a musical family and is known for his uniquely improvisational style. Originally from western Kansas, Jan Fabricius plays mandolin and adds beautiful harmony to O’Brien’s lead vocals. Virginian Gaven Largent brings classic dobro and banjo sounds to the band.

The band’s songbook draws from recent Tim O’Brien releases like 2021’s “He Walked On”, but also includes songs from earlier CD’s like the Celtic tinged “The Crossing” and the Dylan covers of “Red On Blonde”, with an occasional Hot Rize song thrown in for good measure.